Kino Pleme / Live Soundtrack

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  1. Live Soundtrack 12 | Kino pleme u Klubviziji | 23.1.2016, MM Centar

    Tin Dožić, MMessy Oscillators, Old Soviet Dogs 

  2. Filmski program laboratorija ”Kino Pleme” čine DIY vizualni eksperimenti realizirani kroz osobni i istraživački pristup u radu s filmskom trakom. Selektor filmova Marko Milićević, jedan je od osnivača i aktivnih članova beogradskog laboratorija.

    Osim filmskog programa, predstavljamo novi projekt Kino Plemena – Live Soundtrack, a radi se o zvučnim improvizacijama na kratke nijeme eksperimentalne filmove. Naglasak je na atmosferičnom ozvučavanju filmova, instrumentalnoj, elektronskoj i elektroakustičnoj glazbi, ambijentalnim dronovima i DIY instrumentima.


  4. Tin Dožić


    Tin Dožić, rođen 1989. godine u Rijeci. Završio je studij psihologije na Hrvatskim studijima Sveučilišta u Zagrebu i Nove medije na Akademiji likovnih umjetnosti u Zagrebu. U svojoj praksi polazi od medija zvuka, a bavi se terenskim snimanjem, radiom i eksperimentalnom glazbom. Izlagao i nastupao je na raznim platformama u Hrvatskoj i inozemstvu (Sound art inkubator, Device art, Izlog suvremenog zvuka. Sudionik je raznih audiovizualnih projekata, za koje nerijetko i sam izrađuje glazbene instrumente.

    https://vimeo.com/user52638178



    Svira muziku za filmove : 


    Eve Heller – Behind this Soft Eclipse (US, 2004, 16mm, 10’)

    Eve Heller-  Her Glacial Speed (US,  2001, 16mm, 4’)


  6. MMessy Oscillators


    MMessy Oscillators izvode eksperimentalnu elektronsku glazbu, a sastav je nastao kao ishod audio sekcije Radione i uglavnom koristi DIY elektronske instrumente poput teremina, oscilatora, DIY modularnih sintesajzera i efekata, gitarskih pedala, piezoelektričnih senzora, sistemskih instrumenata, Touch-Tonea, rabljenih elektronskih instrumenata, circuit-bent igračaka, hakiranih gadgeta, kompjuterskog trasha i slično.

    https://soundcloud.com/mmessyoscillators



    Sviraju muziku za film : Carole Arcega – Macula (FR, 2004, 16mm, 15’)


  8. Old Soviet Dogs



    Sviraju muziku za filmove :


    Ed Emshwiller – Carol (USA, 1970, 16mm, 6’)

    Malcolm LeGrice – Berlin Horse (GB, 16mm, 7’)

  10. Foto album : 

  15. Filmski program : 

  17. Eve Heller – Behind this Soft Eclipse (US, 2004, 16mm, 10’)


    I was imagining a collaboration of parallel worlds or a kind of doubled consciousness, a sense of the corporeal and the riddle of absence. The body of the film depends on a spine of interlocking contrasts in the form of negative and positive space, day and night shots, under and above water elements. These are cut on motion and qualities of light that are sometimes gentle and sometimes jarring, to convey the tender labor of hosting a balance. 
    A crossing of paths behind the seen in the wake of one who no longer walks the curve of the world. Eclipse is an elegy for Marion McMahon who co-founded the Film Farm (Independent Imaging Retreat) in Southern Ontario, where it was produced. 

  19. Eve Heller-  Her Glacial Speed (US,  2001, 16mm, 4’)


    The world as seen in a teardrop of milk. I set out to make a film about how unwitting constellations of meaning rise to a surface of understanding at a pace outside of worldly time. This premise became a self fulfilling prophecy. An unexpected interior began to unfold, made palpable by a trauma that remains abstract.

  21. Carole Arcega – Macula (FR, 2004, 16mm, 15’)


    The macula is commonly known as the yellow spot, located near the center of the retina at which visual perception is the most acute. A photosensitive body rises from shadow to burn out in light.

  23. Ed Emshwiller – Carol (USA, 1970, 16mm, 6’)


    This 16mm Abstract Movie by the Ed Emshwiller is a masterful piece of Pure Cinema. It's wonderfully conceived, beautifully shot, tightly and lovingly edited and put together with a poignant gentle musical score. The optic/in-camera mechanical celluloid visual effects are emotionally Cinematic. This is a visual tone poem, a romantic poetic Love Letter to the movie maker's wife, Carol Emshwiller. The visual textures of the tree barks and the leaves on the branches being gently blown in the wind being double-exposed with the visual texture of Carol's facial skin is sensually pleasurable and expressive. The movie's pacing from a gentle slow rhythm to a kinetic and kinesthetic visual cascade of flashing and flickering colors and explosive motion and bright lights contrasting with dark shadows and shapes in super fast alternating spirals and bursts is exhilarating visceral emotionally intense cinema.

  25. Malcolm LeGrice – Berlin Horse (1970, GB, 16mm, 7’)


    Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.