Kino Pleme / Live Soundtrack

Built with Berta.me

  1. Live Soundtrack 65 | 9.3.2023 | Sääli, Zum goldenen Fass, Basel | 21:00

    Mikael Szafirowski, Clemens Schumacher, Eguzki & Juanjo, dj hdgdl guna, IMAN, the saltire cade, Kajaq

     

     

  2. Mikael Szafirowski

  3. Clemens Schumacher

  4. Eguzki & Juanjo

  5. dj hdgdl guna

  6. IMAN

  7. The Saltire Cade

  8. Film program

  9. Josh Drake - Lightmare (US, 2020, 10')

    Lightmare was inspired by a group of youths who used to race motorcycles by my house. They would sometimes ride when I was trying to get my young daughter to sleep and caused great aggravation for me. The neighbors became quite worried as well and eventually the police were engaged to stop the racing, unsuccessfully. Stories began to spread about who the youths were and what poor conditions their parents were raising them in. The film attempts to capture the anxiety of the neighborhood, using negative space as a mask to subvert the audience’s expectations of horizon and depth. In contrast, much of the content underscores the triviality of the perceived threat. High levels of film grain enhance the effects of pareidolia, paralleling the human impulse to create stories for the unknown riders.

  11. Michael Lyons - Parts (Japan, 2022, 5')


    This camera-less silent film examines parts and wholes. Electronic components were photogrammed on 16mm print stock. Displacements in time and space assemble the parts into an abstract dynamic gestalt.

  13. Josh Weissbach - To All Those (US, 2020, 7’)


    a city symphony in miniature, dedicated to anyone who has gotten lost in thought while stuck on the midwinter train. to all that unfolds in those private reveries.

  15. Vasilios Papaioannu - Parenthesis (US, 2021, 4’)


    In this lonely contemplation of a past summer, the ancient promontory becomes a parenthetical projection of frantic lines and alternating impressions.

  17. Wen Pey Lim - LDN 51.5072N 0.1276W (Malaysia, 2022, 4’)

     
    LDN 51.5072N 0.1276W examines the influence of the Industrial Revolution via the relics from architecture in London, reflecting the effects technology has had on transforming traditional notions of work, community, and identity.

  19. Alexander Fingrudt - Press Pound to Connect (US, 2019, 3’)


    This film was hand processed, shot on 16mm film, and created using a masking technique and appropriated images. The nine equal parts reference the Pound Symbol on a telephone keypad. Here, it is used as a symbol for connection. We are connected to more than what is immediately around ourselves: to each other, the planet, and the farthest galaxies. What distant things are having an effect on us and what are we non-visibly affecting? The similarities between these connections are represented through overlapping images. It shows a change in perspective, going from the individual singular self, to a view where there is no divide between self and other. It brings us to a cosmic, all-encompassing view, divided in space and tied together through telephone wire.

  21. Alexander Bickford – Vacationland (US, 2022, 8’)

    The dizzying dreams of summertime.